The change from 1 to 8 was done without justification in the commit
message and possibly for debug purposes. Unfortunately it breaks
negotiation with the libcamera virtual pipeline, which defaults to
4 buffers.
Set the the value to 1 again as successful negotiation - even with an
unusually low number of buffers - is usually more desirable than an
error.
Fixes: 98b7dc7c0 ("gst: don't do set_caps from the pipewire callback")
There is no need to encode the potential format in the format.dsp of
control ports, this is just for legacy compatibility with JACK apps. The
actual format can be negotiated with the types field.
Fixes midi port visibility with apps compiled against 1.2, such as JACK
apps in flatpaks.
Only react to the capture stream state change and format changes. The
playback and capture streams change state somewhat concurrently and so
the graph state might not be consistent.
Because only the capture stream will trigger the playback stream and
start the processing, we can safely react to capture stream changes
only.
If a link is a feedback link, we just need to swap the input/output
scheduling dependency.
Don't swap input/output nodes (without swapping ports) because then we
will be querying the wrong node/port pair when negotiating and cause
errors.
See #4706
The params contain the send/recv streams from the point of view of the
manager (and not the driver as was assumed before). This means we need
to swap send/recv in the driver, not the manager.
This makes things interoperate with JACK/netjack2.
See #4666
Get the clock pointer using the io_changed stream event.
and update the clock before triggering the process
The clock needs to be updated in the data loop thread
and before triggering the process so move the calls to
`pw_stream_trigger_process` from gstreamer thread context
into the data loop thread context by invoking a callback
and update the clock inside the data loop callback
before the trigger
Sometimes you want to use the convolver as a delay without adding
latency so add a latency option to tweak the automatic latency
reporting. Use this in the upmix rear delay filters.
Collect the latency of the graph in filter-chain. We do this by first
inspecting the LATENCY ports on the plugins and us the notify value as
the latency on the node.
We then walk the graph from source to sink and for each node take the
max latency of all linked upstream peer nodes. We end up with the max
latency of the graph and emit this in the graph properties.
We then listen for the graph latency property and use that to update the
process_latency of the filter-chain, which will then update the latency
on the filter-chain ports.
Fixes#4678
Make a function to create a filter. This is a pod that has all valid
defaults fixated and the invalid ones left unfixated.
Use this filter is a first attempt to negotiate a link format. The
effect is that a format will be chosen first that matches all the valid
defaults as much as possible instead of negotiating to the first thing
that matches.
Suppose we have a higher priority port with the format:
foo/bar
key: { default:1024, min:1, max:2048 }
And another port with two params:
foo/bar
key: 512
rate: 2/1
foo/bar
key: 1024
rate: 30/1
By first trying key: 1024 we negotiate to the more specific second property
with the higher rate.
Reset the ERR counters when pressing the c key. This only makes the
current pw-top start counting from 0 again, it does not change anything
globally on the server. It's still usefull because you can use it to
let it count the number of new errors since the keypress.
Destroy the sources from the io handler immediately when there is an
error so that we don't end up in endless error wakeups.
Schedule the free from the main loop and make sure only one can ever
run.
The manager is actually not supposed to decide much about the number of
audio and midi ports. It should just suggest a default when connecting
driver doesn't know.
Add a audio.ports parameters to manager and driver to suggest/ask for
the amount of audio ports. Let the audio.position/audio.channels be a
specification of the channel mask in case it matches the requested
channels, otherwise use AUX channels for the ports.
This means that we must derive the mode (sink/source/audio/midi) from
the ports that are negotiated in the manager and the driver, so delay
this until after negotiation.
Make sure all the possible modes work. For midi only streams, we can't
wait for the session manager to perform a PortConfig so do that
ourselves. Make sure we only use a source trigger when we have a sink.
Fixes#4666
Keep a position info for the stream it was set and then use the position
info for the stream that is driving the graph. Otherwise we might use a
destroyed position info.
Make a new port_info structure that holds the link port information for
input and output. We can use this in some places and remove some
redundant code.
We can also pass a reference to this port_info as the work-queue
object, which makes it more natural to find the associated port info in
the various work queue callbacks.
Move the private pw_context_find_format to the link implementation,
where is it actually used.
Rework the format negotiation code to use an array of 2 port_info
structures with the two ports to negotiate. The negiotiation will
always use the first port_info as higher priority.
Make sure a driver port has a lower priority than the other port. We want
to negotiate the source/sink to something close that what is
provided/requested by the client. The client can always adapt to the
driver port format fields by giving a "don't care" value for the format
property (either unspecified or with an out of range default value).
