FSF addresses used in PA sources are no longer valid and rpmlint
generates numerous warnings during packaging because of this.
This patch changes all FSF addresses to FSF web page according to
the GPL how-to: https://www.gnu.org/licenses/gpl-howto.en.html
Done automatically by sed-ing through sources.
Since we don't have "limited" clients, a client that authenticates
correctly is automatically authorized. However, it's the authentication
that can go wrong, rather than the authorization.
Buglink: https://bugs.freedesktop.org/show_bug.cgi?id=78566
Signed-off-by: David Henningsson <david.henningsson@canonical.com>
Let's officially support that people use maxlength to put an upper
bound on playback latency.
Signed-off-by: David Henningsson <david.henningsson@canonical.com>
Generalize the availability flag in order to be used beyond the scope of
ports.
However, pa_port_availability_t is left unchanged to avoid modifying the
protocol and the client API. This should be replaced by pa_available_t
after a validation phase of this new generic enum type.
For volume control UIs to be able to show ports in inactive profiles,
expose all ports together with the card info. This includes updating
the protocol and the client API to show the connection between ports
and for which profiles the ports are relevant.
Update protocol to 26.
Signed-off-by: David Henningsson <david.henningsson@canonical.com>
Avoid resampling or use integer resampling when supported by the
sinks/sources
Signed-off-by: Pierre-Louis Bossart <pierre-louis.bossart@linux.intel.com>
This just covers Lennart's concern over the terminology used.
The majority of this change is simply the following command:
grep -rli sync[-_]volume . | xargs sed -i 's/sync_volume/deferred_volume/g;s/PA_SINK_SYNC_VOLUME/PA_SINK_DEFERRED_VOLUME/g;s/PA_SOURCE_SYNC_VOLUME/PA_SOURCE_DEFERRED_VOLUME/g;s/sync-volume/deferred-volume/g'
Some minor tweaks were added on top to tidy up formatting and
a couple of phrases were clarified too.
This is for bits of code or API where the concepts and constructs are
extensibly the same for sinks and sources. To avoid duplication we can
simply define our structure/API and then use this enum to differentiate
the two.
This adds a PA_SINK_SET_FORMATS flag to the pa_sink_flags enum,
signalling that a sink allows the set of supported formats to be set
externally. The idea is for clients to be able to know what sinks
support this ability and adapt their UI appropriately.
Some sink flags are really just a product of what callbacks
are set on the device. We still enforce a degree of sanity
that the flags match the callbacks set, but we also set the
flags automatically in our callback setter functions to
help ensure that a) people use them and b) flags & callbacks
are kept in sync.
This event is emitted if the sink-input could not be moved to a new sink
because it doesn't support the format of the sink-input. Clients can
reconnect their stream with a different format if they wish or
gracefully exit.
This removes the passthrough flag from sinks since we will drop
exclusively passthrough sinks in favour of providing a list of formats
supported by each sink. We can still determine whether a sink is in
passthrough mode by checking if any non-PCM streams are attached to it.
When we have a filter sink that does some processing, currently the
benefits of the flat volume feature are not really available. That's
because if you have a music player that is connected to the filter sink,
the hardware sink doesn't have any idea of the music player's stream
volume.
This problem is solved by this "volume sharing" feature. The volume
sharing feature works so that the filter sinks that want to avoid the
previously described problem declare that they don't want to have
independent volume, but they follow the master sink volume instead.
The PA_SINK_SHARE_VOLUME_WITH_MASTER sink flag is used for that
declaration. Then the volume logic is changed so that the hardware
sink calculates its real volume using also the streams connected to the
filter sink in addition to the streams that are connected directly to
the hardware sink. Basically we're trying to create an illusion that
from volume point of view all streams are connected directly to the
hardware sink.
For that illusion to work, the volumes of the filter sinks and their
virtual streams have to be managed carefully according to a set of
rules:
If a filter sink follows the hardware sink volume, then the filter sink's
* reference_volume always equals the hw sink's reference_volume
* real_volume always equals the hw sink's real_volume
* soft_volume is always 0dB (ie. no soft volume)
If a filter sink doesn't follow the hardware sink volume, then the filter
sink's
* reference_volume can be whatever (completely independent from the hw sink)
* real_volume always equals reference_volume
* soft_volume always equals real_volume (and reference_volume)
If a filter sink follows the hardware sink volume, and the hardware sink
supports flat volume, then the filter sink's virtual stream's
* volume always equals the hw sink's real_volume
* reference_ratio is calculated normally from the stream volume and the hw
sink's reference_volume
* real_ratio always equals 0dB (follows from the first point)
* soft_volume always equals volume_factor (follows from the previous point)
If a filter sink follows the hardware sink volume, and the hardware sink
doesn't support flat volume, then the filter sink's virtual stream's
* volume is always 0dB
* reference_ratio is always 0dB
* real_ratio is always 0dB
* soft_volume always equals volume_factor
If a filter sink doesn't follow the hardware sink volume, then the filter
sink's virtual stream is handled as a regular stream.
Since the volumes of the virtual streams are controlled by a set of rules,
the user is not allowed to change the virtual streams' volumes. It would
probably also make sense to forbid changing the filter sinks' volume, but
that's not strictly necessary, and currently changing a filter sink's volume
changes actually the hardware sink's volume, and from there it propagates to
all filter sinks ("funny" effects are expected when adjusting a single
channel in cases where all sinks don't have the same channel maps).
This patch is based on the work of Marc-André Lureau, who did the
initial implementation for Pulseaudio 0.9.15.
Due to how our branching worked out, these new features will
debut in v1.0 and not v0.9.22 which has already been released
from the stable-queue branch
To make concurrent use of SW and HW volume glitchles their application
needs to be synchronized. For accurate synchronization the HW volume
needs to be applied in IO thread. This patch adds infrastructure to
delay the applying of HW volume to match with SW volume timing. To
avoid synchronization problems this patch moves many of the volume and
mute related functions from main thread to IO thread. All these
changes become active only if the sync volume flag for a sink has been
set. So, for this patch to have any effect it needs to be taken into
use by sink implementor.
Signed-off-by: Jyri Sarha <jyri.sarha@nokia.com>
Reviewed-by: Tanu Kaskinen <tanu.kaskinen@digia.com>
Reviewd-by: Colin Guthrie <cguthrie@mandriva.org>
Second version after Tanu's feedback
TODO:
- notify client that volume control is disabled
- change sink rate in passthrough mode if needed
- automatic detection of passthrough mode instead of hard
coded profile names
Signed-off-by: Pierre-Louis Bossart <pierre-louis.bossart@intel.com>
Note also the willneed/will_need inconsistency. I guess it could be nice to ASAP
choose one of them and introduce a backward compatibility hack for the other.
The issues was mostly found with:
for a in $(grep -r '^[ /]\*.*()' $(
find -name '*.[ch]') |
sed 's,^.* \([^ ]*\)().*$,\1,g' |
sort |
uniq |
grep ^pa_)
do
grep -rq "^.[^*].*\<$a(" $(find * -name '*.h') || echo $a
done
