/** \page page_tutorial7 Tutorial - Part 7: Creating an Audio DSP Filter

\ref page_tutorial6 | \ref page_tutorial "Index"

In this tutorial we show how to use \ref pw_filter "pw_filter" to create
a real-time audio processing filter. This is useful for implementing audio
effects, equalizers, analyzers, and other DSP applications.

Let's take a look at the code before we break it down:

\snippet tutorial7.c code

Save as tutorial7.c and compile with:

    gcc -Wall tutorial7.c -o tutorial7 -lm $(pkg-config --cflags --libs libpipewire-0.3)

## Overview

Unlike \ref pw_stream "pw_stream" which is designed for applications that
produce or consume audio data, \ref pw_filter "pw_filter" is designed for
applications that process existing audio streams. Filters have both input
and output ports and operate in the DSP domain using 32-bit floating point
samples.

## Setting up the Filter

We start with the usual boilerplate and define our data structure:

\code{.c}
struct data {
	struct pw_main_loop *loop;
	struct pw_filter *filter;
	struct port *in_port;
	struct port *out_port;
};
\endcode

The filter object manages both input and output ports. Each port represents
an audio channel that can be connected to other applications.

## Creating the Filter

\code{.c}
data.filter = pw_filter_new_simple(
		pw_main_loop_get_loop(data.loop),
		"audio-filter",
		pw_properties_new(
			PW_KEY_MEDIA_TYPE, "Audio",
			PW_KEY_MEDIA_CATEGORY, "Filter",
			PW_KEY_MEDIA_ROLE, "DSP",
			NULL),
		&filter_events,
		&data);
\endcode

We use `pw_filter_new_simple()` which automatically manages the core connection
for us. The properties are important:

- `PW_KEY_MEDIA_TYPE`: "Audio" indicates this is an audio filter
- `PW_KEY_MEDIA_CATEGORY`: "Filter" tells the session manager this processes audio
- `PW_KEY_MEDIA_ROLE`: "DSP" indicates this is for audio processing

## Adding Ports

Next we add input and output ports:

\code{.c}
data.in_port = pw_filter_add_port(data.filter,
		PW_DIRECTION_INPUT,
		PW_FILTER_PORT_FLAG_MAP_BUFFERS,
		sizeof(struct port),
		pw_properties_new(
			PW_KEY_FORMAT_DSP, "32 bit float mono audio",
			PW_KEY_PORT_NAME, "input",
			NULL),
		NULL, 0);

data.out_port = pw_filter_add_port(data.filter,
		PW_DIRECTION_OUTPUT,
		PW_FILTER_PORT_FLAG_MAP_BUFFERS,
		sizeof(struct port),
		pw_properties_new(
			PW_KEY_FORMAT_DSP, "32 bit float mono audio",
			PW_KEY_PORT_NAME, "output",
			NULL),
		NULL, 0);
\endcode

Key points about filter ports:

- `PW_DIRECTION_INPUT` and `PW_DIRECTION_OUTPUT` specify the port direction
- `PW_FILTER_PORT_FLAG_MAP_BUFFERS` allows direct memory access to buffers
- `PW_KEY_FORMAT_DSP` indicates this uses 32-bit float DSP format
- DSP ports work with normalized floating-point samples (typically -1.0 to 1.0)

## Setting Process Latency

\code{.c}
params[n_params++] = spa_process_latency_build(&b,
		SPA_PARAM_ProcessLatency,
		&SPA_PROCESS_LATENCY_INFO_INIT(
			.ns = 10 * SPA_NSEC_PER_MSEC
		));
\endcode

This tells PipeWire that our filter adds 10 milliseconds of processing latency.
This information helps the audio system maintain proper timing and latency
compensation throughout the audio graph.

## Connecting the Filter

\code{.c}
if (pw_filter_connect(data.filter,
			PW_FILTER_FLAG_RT_PROCESS,
			params, n_params) < 0) {
	fprintf(stderr, "can't connect\n");
	return -1;
}
\endcode

The `PW_FILTER_FLAG_RT_PROCESS` flag ensures our process callback runs in the
real-time audio thread. This is crucial for low-latency audio processing but
means our process function must be real-time safe (no allocations, file I/O,
or blocking operations).

## The Process Callback

The heart of the filter is the process callback:

\snippet tutorial7.c on_process

The process function is called for each audio buffer and works as follows:

1. Get the number of samples to process from `position->clock.duration`
2. Get input and output buffer pointers using `pw_filter_get_dsp_buffer()`
3. Process the audio data (here we just copy input to output)
4. The framework handles queueing the processed buffers

### Key Points about DSP Processing:

- **Float Format**: DSP buffers use 32-bit float samples, typically normalized to [-1.0, 1.0]
- **Real-time Safe**: The process function runs in the audio thread and must be real-time safe
- **Buffer Management**: `pw_filter_get_dsp_buffer()` handles the buffer lifecycle automatically
- **Sample-accurate**: Processing happens at the audio sample rate with precise timing

## Advanced Usage

This example shows a simple passthrough, but you can implement any audio processing:

\code{.c}
/* Example: Simple volume control */
for (uint32_t i = 0; i < n_samples; i++) {
    out[i] = in[i] * 0.5f;  // Reduce volume by half
}

/* Example: Simple high-pass filter */
static float last_sample = 0.0f;
float alpha = 0.99f;
for (uint32_t i = 0; i < n_samples; i++) {
    out[i] = alpha * (out[i] + in[i] - last_sample);
    last_sample = in[i];
}
\endcode

## Comparison with pw_stream

| Feature | pw_stream | pw_filter |
|---------|-----------|-----------|
| **Use case** | Audio playback/recording | Audio processing/effects |
| **Data format** | Various (S16, S32, etc.) | 32-bit float DSP |
| **Ports** | Single direction | Input and output |
| **Buffer management** | Manual queue/dequeue | Automatic via get_dsp_buffer |
| **Typical apps** | Media players, recorders | Equalizers, effects, analyzers |

## Connecting and Linking the Filter

### Manual Linking Options

Filters require manual connection by design. You can connect them using:

#### Using pw-link command line:
\code{.sh}
# List output ports (sources)
pw-link -o

# List input ports (sinks)
pw-link -i

# List existing connections
pw-link -l

# Connect a source to filter input
pw-link "source_app:output_FL" "audio-filter:input"

# Connect filter output to sink
pw-link "audio-filter:output" "sink_app:input_FL"
\endcode


### Understanding Filter Auto-Connection Behavior

**Important**: Unlike audio sources and sinks, filters are **not automatically connected** by WirePlumber. This is by design because filters are meant to be explicitly inserted into audio chains where needed.

**Why filters don't auto-connect**:
- Filters process existing audio streams rather than generate/consume them
- Auto-connecting filters could create unwanted audio processing
- Filters typically require specific placement in the audio graph
- Manual connection gives users control over when/where effects are applied

### Testing the Filter

The filter requires manual connection to test. Here's the recommended workflow:

1. **Start an audio source** (e.g., `pw-play music.wav`)
2. **Run your filter** (`./tutorial7`)
3. **Check available ports**:
   ```sh
   # List output ports
   pw-link -o | grep -E "(pw-play|audio-filter)"
   # List input ports
   pw-link -i | grep -E "(audio-filter|playback)"
   ```
4. **Connect the audio chain manually**:
   ```sh
   # Connect source -> filter -> sink
   pw-link "pw-play:output_FL" "audio-filter:input"
   pw-link "audio-filter:output" "alsa_output.pci-0000_00_1f.3.analog-stereo:playback_FL"
   ```

You should hear the audio pass through your filter. Modify the process function
to add effects like volume changes, filtering, or other audio processing.

**Alternative: Use a patchbay tool**
- **Helvum**: `flatpak install flathub org.pipewire.Helvum`
- **qpwgraph**: Available in most Linux distributions
- **Carla**: Full-featured audio plugin host

These tools provide graphical interfaces for connecting PipeWire nodes and are ideal for experimenting with filter placement.

\ref page_tutorial6 | \ref page_tutorial "Index"

*/